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THE LOSSES
A novel
"The Losses is a literary triumph for debut novelist Cully Perlman. The talented writer weaves a potent tale of a family split apart by betrayals and mistakes that reverberate from one generation to the next.
- Nancy Stancill
A Page a Day is a Book in a Year
Writing is a job. It's fun. It's trying. It's hard. But if you're committed to getting published, you have to put the work in. Come to Novelmasterclass.blog to get tips, read and watch interviews and book reviews, and learn how to write.
WRITING THE BEGINNING, MIDDLE, AND END OF a NOVEL
Two days ago, I completed another full edit of a novel I’ve been working on for 23 years (yes, 23—that’s not a typo). I have a beginning I sort of like. I’ve worked on it again and again for over two decades. The beginning of my novel, which deals with the mental trauma experienced by a young boy in a small town, trauma that naturally follows him through the rest of his life, including during WWII and upon his return home, starts out with a lot of violence. Things change.
Cully Perlman
Nov 47 min read
IS FINDING TIME TO WRITE IMPOSSIBLE?
Finding Time to Write is up to You. We're all Busy. We all have Jobs. Ask Yourself This: Do I Really Want it? For some people, the answer is absolutely. For others, not so much. I bring this up today because someone in one of the writing groups that I’m a part of on social media made the comment that they weren’t able to start anything because they weren’t going to be able to finish it, or something to that effect. They have a full-time job (I don’t even think they have kids,
Cully Perlman
Oct 286 min read
5 Writing Prompts to get You Writing
I rarely have any issues writing, not because I don’t struggle sometimes but because I don’t believe in writer’s block, as I know it’s just not being able to write what I want to write when I want to write it. Sit your ass in the chair and the muse will come, my friend the writer John Dufresne, says, and he’s right. The must doesn’t come to you and then you sit down to write. So, that’s what I do.
Cully Perlman
Oct 224 min read
7 Writers and the Jobs They Did Before Becoming Famous
We all have jobs, us writers, most of us before we write and after we've published. Most of the writers (some pretty well known) can't support themselves on writing along. So, they teach at MFA in creative writing programs, in business, in whatever. In America, writing doesn't hold the same weight as it does in other countries. It's just a fact of life.
What do you do while you try to become a fulltime writer?
Cully Perlman
Oct 215 min read
10 Self-Publishing Resources to Help You Get Your Novel Published
Today I want to provide a list of resources for you brave authors, you rebels heading out on the publishing journey all on your own. You’ll likely have heard of some of the resources I’m going to mention (KDP, IngramSpark, Scrivener, and more), but there’ll be some in here that you may not know about. I’ll try to provide as much of a descriptive blurb as possible so you know before clicking through to the site what to expect.
Cully Perlman
Oct 209 min read
THE UPS and DOWNS of WRITING FICTION
I read something funny one time about a writer, though I can’t remember who that writer was, but someone interviewing the author asked a question (and I’m paraphrasing) about what they thought when some other author got a novel published or received a high advance for their book. Naturally, the interviewer was expecting some nicety from the author or whatever, something like, “I love her!" But instead, the writer replied, "I hope she gets hit by a bus."
Cully Perlman
Oct 146 min read
How to Write a Book as a Subject Matter Expert
You need to know who your readers are, what solutions they’re seeking out, i.e., what problem(s) they’re trying to solve, and how you, as the SME, are providing them with the actions they can take based on the information you’re providing
Cully Perlman
Oct 811 min read
I Haven’t Written a Word of Fiction in Two Months, but It’s Not Writer’s Block
Norman Mailer said writer’s block was a “failure of the ego.” Hilary Mantel and others recommend getting away from the desk and engaging in other activities to get the juices flowing. (Hilary Mantel died in 2022, but she said it when she was alive!). Jack London said you must actively pursue inspiration rather than waiting for it. And Anthony Trollope made sure he stuck to a strict schedule so that he produced writing consistently. You do what you must.
Cully Perlman
Sep 165 min read
Is the Publishing Industry Rigged?
People buy books. Publishers sell books. Literary agents are the middle people between authors and publishers. And while publishers ask themselves many, many questions, the most important ones are these: Will this author’s novel sell? And Will people buy this author’s book? Agents ask themselves the same questions prior to taking on a new client. The publishing industry is just that—an industry. Publishers are businesses. For profit businesses, for the most part.
Cully Perlman
Aug 276 min read
Artificial Intelligence Wrote This
I was in business for years, digital marketing and advertising, and so I understand his point of view and the technology behind it. I would never use AI for profit, though I do feel a little guilty having “written” the majority of this post using AI. Yes, I did it to see how AI on MS Word has improved since I first tried it out a couple years ago. This year (2025), Microsoft made further improvements, including Voice (you can execute voice commands, practice different languag
Cully Perlman
Aug 197 min read
The Hunt for Your Literary Agent
Literary agents are the middlemen and middle women between you and the trade publishers, often referred to as the Big 5—Penguin Random House, Simon & Schuster, Hachette, HarperCollins, Macmillan, and their imprints, meaning the smaller publishers beneath them (there are also . Of course, you can go a different route, e.g., self-publishing, using a vanity press, hitting the independent publishers like W.W. Norton, Graywolf, Akashic, Algonquin . . .
Cully Perlman
Aug 153 min read
Is My Idea a Short Story or a Novel?
What’s the underlying message I’m trying to communicate? Is it faith versus doubt? Government overreach/government against the people? Man/woman versus self? Revenge? For me, it’s likely a good combination of all of those and various/many? more. It’s just how I write, and from what I’ve read, most writers are (intentionally or not) doing the same. i.e., incorporating more than a few themes, either in their shorter works or their novels.
Cully Perlman
Aug 56 min read
Writing a Sense of Place
A setting can take three basic forms. One is the natural world, or in an outside place. In this setting, the natural landscapes of the world play an important part in a narrative, along with living creatures and different times of weather conditions and seasons. The second form exists as the cultural and historical background in which the narrative resides. Past events that have impacted the cultural background of characters or locations are significant in this way. The third
Cully Perlman
Aug 14 min read
Having Trouble Coming Up with Your Own Writing Style?
When I wrote my first novel, I copied the style directly from Jack Kerouac’s On the Road. As most writers (I’m guessing) do, I didn’t realize that you couldn’t do that. That the style of the novel was Kerouac’s and that I couldn’t just pilfer it for my own novel.
Cully Perlman
Jul 96 min read
Don’t Waste Time Writing or Reading Novels You Don’t Love
So, what’s the fastest way to not waste your time when it comes to reading books? Don’t read the ones that don’t pull you in after a page or two. Or twenty. Your time is valuable, and there’s no sense in completing a novel if you aren’t enjoying it. Yeah, I know, I get it. Lolita is great! Never finished it, though I’ve started it probably thirty times. You haven’t read Vanity Fair by Thackeray? Nope. Doctor Zhivago? Sorry. The Life and Opinions of Tristram Shandy? Well, I di
Cully Perlman
Jul 16 min read
Joseph Campbell’s The Hero’s Journey
Structure. It’s a simple word, but it’s not that simple a concept when it comes to your novel. Most of us probably don’t even think about the structure of our novel when we begin, especially if we’re new to the game and don’t even know that different structures exist. We start writing, or we start plotting, creating an outline that’ll guide us for the entirety of our book.
Cully Perlman
Jun 177 min read
Cutting Your Novel Down to Its Essential Components
As writers, we dive deep—into our emotions, into the research we conduct so that we get every detail correct, every accent right, and that we pull from our readers the emotions within them that will keep them interested and thus keep them reading. To do that, we must focus on the book we’re trying to write. We need to understand that we have a central character that wants something and who goes after it, despite opposition. She never stops seeking what she wants, no matter wh
Cully Perlman
Jun 45 min read
Summer Books to Read While You Write
If you’re a writer like me, you have a stack of books on your kitchen table, your kitchen counter, by the fireplace (if you have one), on your nightstand, your dresser, your kids’ bookshelves, in boxes, and everywhere else you can balance a book (sorry, I don’t have books in the bathroom—I don’t trust my guests). I may not get to every book—some I just have around because of the beauty of the language, or as reference books, and so on.
Cully Perlman
May 207 min read
Finding Your Story
Over decades and centuries, writers have taken inspiration from everywhere you can think of. They take their ideas from the culture around them (or from reading about other cultures), from current events, from history, dreams, their life experiences, from people watching, from prompts, from wherever. For me, it’s usually a combination of a few of the above. The novel I’m currently revising is taken from contemporary political events. The one I wrote last year was about a fami
Cully Perlman
May 136 min read
How to Build Compelling Characters
How a character acts—their movements, their actions, their expressions, what they say and how they say it, all these things show what your character is feeling (or what they want other characters to think they’re feeling). When the author, through the narrator, shows what her characters are doing, we learn about the character’s emotions because we see them through their actions. And it’s in scene that we see the characters express their feelings by what they do.
Cully Perlman
Apr 2910 min read
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